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IRISH, Bradley.
2018
Irish “argues that the dynamics of disgust, envy, rejection, and dread, as they are currently theorized in the modern affective sciences, can be seen to guide textual production in the early modern court”.
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IRISH, Bradley.
2018
Irish “argues that the dynamics of disgust, envy, rejection, and dread, as they are currently theorized in the modern affective sciences, can be seen to guide textual production in the early modern court”.